Archive for February, 2008

Tap Dancing – by Cassandra Gordon-Harris

February 29, 2008

Cassandra Gordon-Harris absolutearts.com Portfolio

"Those who danced were thought to be quite insane by those who could not hear the music." John Milton

I had a vision the other day. It was just a small one, as if the curtain of time and space pulled back just enough to give me a glimpse. On our daily walk, while the dog explored, I stopped on the road taking in the warm sun. Looking back towards the house, there, in an instant, I saw cars parked in front of the studio and people gathered about, then it was gone. My vision for Rincón Studios was still alive in the cosmos.

After fear of being burned at the stake at the COW awards, I braved the chamber of commerce "mixer". Wearing dark blue, my hair pulled back, no makeup, glasses on, I was as drab as humanly possible. When I entered the room, like most people, I tried to pick up a sense of the room and the people’s vibrational quality. The low hum was so small as to be non existent. I chatted with the secretary, nametag in place, ignoring the peril I entered the fray. People were gathered into open groups of three or four. I approached the first group, they closed ranks. The second group did the same. I then approached a small group of women, one who was dressed in velvet Indian attire. I introduced myself, put out my hand, and she looked at it as if it was death incarnate. She did not have a name tag and so I asked ", and you are?" "You don’t know?" she retorted. (Please note that I was quite ready with a classic New Orleans put down but I restrained and said…)"No, I’m sorry but, I am new here". She mumbled something turned and walked away. It was downhill from there; I could not even make eye contact with anyone. After about 20 minutes of this futility and childish rejection, I left.

Walking back to my car, the sheriff was standing next to an adjacent building and said politely "eve’n mam". I realized that my mind had gone numb and his greeting gave that muscle a jump-start. I do not think I have ever experienced such a base, petty, lower level group in my entire life. Exhaling, I said to the universe, well, if the right thing to do is the hardest thing, this is going to be very hard. The only solution I could come up with, if I was going to accomplish anything at all, was to learn to tap dance. I will be there for everything (like a good member) and just get in their doughy faces until they can ignore me no longer.

On the brighter side, the Edgewood Artist Association is a wonderful group of artist and art lovers who want to do something of value in the community. I also joined the Rio Grande Art Association, a large art group in Albuquerque.

You have probably noted I am painting this road I am on, where it will lead I do not know. Perhaps to some enlightenment or to nowhere, but my bags are packed, I have met a few kindred spirits and my determination is quite strong. My vision for Rincón Studios is still alive in the cosmos, which it turn, means it still has an opportunity to become reality.

See me smile as I dance.

Cassandra Gordon-Harris absolutearts.com Portfolio

About Honesty – by Michael Pickett

February 28, 2008

Michael Pickett absolutearts.com Portfolio

I don’t trust anyone who claims to be honest and always tells the truth. Think about it,
"ALWAYS TELLS THE TRUTH" meaning that they have never in their whole life have ever
lied, not even once. Just by making such a statement makes him or her a person who tells lies.

Now let’s be real about the whole thing about dishonesty. We all know it’s impossible to always
tell the truth because it’s the universal law of nature. We all try to be as honest as we can.
We all interpret information differently, trying to repeat something someone says, then forgetting
parts of it, we try to make the story interesting so we fill in the blanks.

Michael Pickett absolutearts.com Portfolio

Snow Angel – by Michael Pickett

February 28, 2008

Michael Pickett absolutearts.com Portfolio

This painting Glows in the dark. There is a different image from when the lights are on than when the lights are off. An Angel holding up its hand to catch a snow flake. The reason the Angel is green is that green is the color of healing.  Best under black light.

 
 


Michael Pickett absolutearts.com Portfolio

All I See is Red – by Virginia Gardner

February 28, 2008

Virginia Gardner absolutearts.com Portfolio

I’ve said in my artist statement that my work is “all about the materials”, but that is only partially true about All I See is RedAll I See is Red, glass & ceramic mosaic  It was important for me personally to respond visually to the war in Iraq, and this piece was overdue in the making.  As I thought about the piece, as I thought about “this war” and war in general, all I kept seeing was chaos, blood & violence, and then the aftermath of smoke & darkness.  The complexity of the piece can be better viewed at my website, http://virginiamosaics.com/alliseeisred.html, as the materials themselves definitely play an important role.  The drapery of blood in ceramic, as it falls over the weeping wall of blood in three shades of smalti, hopes to convey the ever-changing-yet-ever-present, gruesome  effects of this and every other war.  The static, cross-hatched ceramic area represents the controlled chaos of the Allied occupation.  Finally, all that is left is a field of smoke and blackness, which, in my minds eye, is the feeling of despair that remains for the people who live with the daily nightmare.  This was not a piece I much enjoyed making – once completed, I was left raw with emotion…. I walked around a little dazed, frankly.  And all I kept seeing was the “red”.  The following words followed me as I created the piece…

All I see is red.
All I smell is fear.
All I hear is pain.
All I see is red.

Virginia Gardner absolutearts.com Portfolio

INTUITIVE REFLECTIONS AND LINKS TO THIS ARTISTS PRIVATE WEBSITES – by Edward Longo

February 27, 2008

Edward Longo absolutearts.com Portfolio

Intuitive Reflections - This acrylic painting 26 x 56 x 2 inches was created during December 2007. Stretching linen onto the wood stretcher frame using a secret process enabled the canvas to protrude two inches, appearing mysteriously convex. Taking two days to construct the curved (convex) linen canvas was only the beginning . . . . . . .

The creative work only began as the artist incorporated his intuitive reflections while applying the acrylics in figurative and geometrical forms. As in all the handpainted works created by Edward Longo no rulers, or mechanical devices have been used. (Note that a rare, Ralph Lauren gold paint seems to enhance the overall painting.) . . . . .

The second image represents a sideview demonstrating the linen’s unique convex appearance.

         Sideview (2" Convex)
INTUITIVE REFLECTIONS

=========================================

EDWARD LONGO – Influencing The Art World

VISIT THIS ARTIST’S WEBSITES:

WWW.EDWARDLONGO.COM
WWW.EDWARDLONGO.COM
WWW.ORIGINAL-ART-PAINTINGS.COM

 

Edward Longo absolutearts.com Portfolio

A great way to honor the dead – by Michael Pickett

February 27, 2008

Michael Pickett absolutearts.com Portfolio

Their ashes and bones were mixed into the paint.

 

  Title: In Memory Of Cyril Dennis Pickett
  Year Created: 2003
  Medium: Painting Acrylic
  Size Width: 18 inches
  Size Height: 20 inches
  Size Depth: 2 inches
  Theme: Portrait
  Price: Sold


  Description: This is my Dad, he passed away in 2003. He was very talented, he and my Mom would play guitar and fiddle at rest homes and for other functions. They were members of the Oregon Old Time Fiddlers Association. My Dad was a World War 2 Veteran and at his funeral they did a 21 gun salute. 

His bones and ashes were mixed into the paint. 4 bone chips were used in creating the Guardian Angel on his hat, then 2 more bones were put on each side of his glasses.

 ————————————————————————————

 


  Title: In Loving Memory Of Margie Jane St Germain Geissinger
  Year Created: 2008
  Medium: Painting Acrylic
  Size Width: 16 inches
  Size Height: 20 inches
  Size Depth: 1 inches
  Theme: People
  Price: Sold


  Description:
Margie Jane St.Germain Geissinger (Born on 10-29-43, Died on 12-12-07) 64 years old. Beloved wife of Donald J. Geissinger Her companion of 35 HAPPY YEARS. —————————————- Margie’s ashes were mixed into the paint. 8 chips of her bones were used, 2 for the earrings and 3 on each side of her glasses.

Michael Pickett absolutearts.com Portfolio

February 26th Paul Edelstein Painting Featured on Frontpage of Absolute Arts! – by Paul Edelstein

February 27, 2008

Paul Edelstein absolutearts.com Portfolio

February 26th Paul Edelstein Painting Featured on Frontpage of Absolute Arts!

Paul Edelstein absolutearts.com Portfolio

February 27th New Mural by Paul Edelstein at Eclectic Cafe! – by Paul Edelstein

February 27, 2008

Paul Edelstein absolutearts.com Portfolio

New Mural by Paul Edelstein can be seen at:  Eclectic Cafe, 603 N. Mclean Blvd., Memphis, TN. 38112

Proprietor:  Kathryn Bolden…Restaurant, Internet Coffee Bar, Music, Art and Much Much More!!!

Paul Edelstein absolutearts.com Portfolio

The eyes of the art – perceptions of a Muse – by Manuela Facchin Varalda

February 26, 2008

Manuela Facchin Varalda absolutearts.com Portfolio

 

collettiva in cui sono esposte le opere di cinque artiste operanti e riconosciute a livello nazionale e internazionale. Attraverso i colori, le forme, i ritratti prenderà vita la sensibilità di queste interpreti. Come la poetessa Saffo seppe rivelare i suoi sentimenti carichi di pathos nei suoi versi melodiosi e pieni di forza espressiva, così le opere esposte sapranno esprimere e comunicare sensazioni, percezioni, stati d’animo che riflettono la vita, colma di aspetti positivi ma, spesso anche di dolore. La realtà sarà raccontata dal genio creativo della donna artista di oggi: donna che dagli albori della storia è stata perloppiù riconosciuta come musa ispiratrice dell’arte e della letteratura e che, in questo spazio espositivo, diventa protagonista, autrice delle proprie opere.

 

An exhibition showing the works of five artists of international level. Trough the colors, the forms, the portraits the sensibility of these interpreters will be alive. Like the poetess Saffo knew how to reveal her feelings charged of pathos in her melodious lines, full of expressive strength, so the exhibiteded works will know how to express and communicate sensations, perceptions, soul conditions that reflect life, full of positive aspects but, often of pain too.

Reality will be told by the creative genius of today’s woman artist: woman that from the beginning of history has been recognize like inspirating muse of art and literature and that, in this exhibition space, becomes protagonist, author of own works of art.

So, what can we say about the roles in art, today?

Is there still a division, a difference of kind between female and male art?

Manuela

Manuela Facchin Varalda absolutearts.com Portfolio

Thank you VANS!!! – by Mary Ann Archibald

February 26, 2008

Mary Ann Archibald absolutearts.com Portfolio

A special thank you to Visual Arts Nova Scotia (VANS), they’ve exhibited samples of my portraits during the last two quarterly sessions of Art-In-A-Box — a showcase for Nova Scotian artists — located 1161 Hollis Street (Between the Westin Hotel and the Via Rail Station). VANS is a terrific organization and I am grateful for their support, encouragement and unrelenting optimism.

A new session of Art-In-A-Box begins March 3 and runs through to June 27th. It will feature the work of Margaret J. E. Bailly, Louise Baker, Colin Campbell, Carolyn Fish, Barbara Kaiser, Rene Laramee, Janet Larkman, Judith J. Leidl, Raina McDonald, Grace McKnight, Diane Metzger, G.E. (Buck) Newsome and Marlien Suermondt.

I’m looking forward to seeing their work in this terrific venue.

Mary Ann Archibald absolutearts.com Portfolio